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"It's too early to say whether last night's violence was an act of domestic terrorism or a federal hate crime," Loren Cannon, special agent in charge of the Federal Bureau of Investigation in Oregon told a news conference on Saturday, adding the bureau had joined the investigation. Christian started shouting ethnic and religious slurs, apparently at the two young women, one of whom wore a Muslim head-covering, the Portland Police Department said in a statement. Three men who intervened were stabbed. Ricky John Best, 53, of Happy Valley, Oregon died at the scene, while Taliesin Myrddin Namkai Meche, 23, of Southeast Portland died at a hospital, police said. A third victim, Micah David-Cole Fletcher of 21, Southeast Portland, remained in a local hospital with serious but non-life-threatening injuries, police said. Christian was booked on two counts of aggravated murder and charges of attempted murder, intimidation and being a felon in possession of a restricted weapon, and was ordered held without bail. His arraignment is scheduled for Tuesday. The women, who had left the train before officers arrived, were later in contact with authorities, according to police, who have not released their identities. Dyjuana Hudson, the mother of one of them, told The Oregonian newspaper her กระเป๋าสะพายข้าง ผู้หญิง ราคาถูก 199 16-year-old daughter, who is black, boarded the train with a Muslim friend, also a teenager, who was wearing a hijab. The attacker approached the girls while screaming at them, Hudson told the newspaper, relaying an account her daughter had given her.
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The cultural osmosis that plays out in Kamara’s work is shaped by his formative years. Born in Sierra Leone, he grew up in Gambia before moving to London aged 11, where he later studied at art school Central Saint Martins. Drawing on his own diasporic experience, Kamara most recently worked as costume stylist on Sampha ’s stunning short film Process , directed by Beyoncé and Kendrick Lamar collaborator Kahlil Joseph . Kamara made connections between Sampha’s life in south London and his parents’ in their hometown of Freetown, contrasting traditional Sierra Leonean ashobis and reimagined Western clothing like wedding dresses and ‘70s suits. When we spoke via phone on one of his rare afternoons off, Kamara had just got back from a job for womenswear brand Stella McCartney in Nigeria — where he and photographer Nadine Ijewere were tasked to reinterpret the Stella McCartney SS17 Collection — and was already planning his next trip to the continent for more projects this summer. In hushed tones, Kamara talked about how the DIY generation is shaking up the fashion world, and the sartorial inspiration of “new Africa.” Photos from Ibrahim Kamara's 2026 exhibition Kristin Lee Moolman What are some of the misconceptions when it comes to style and Africa? People have an idea of what visuals look like before they have seen them, based off things they’ve seen in media. It’s quite problematic because Africa has progressed so much sartorially, and what continues to be spread in the media isn’t an accurate reflection of what is going on presently. There is so much more. Your work envisions new expressions of black masculinity. What inspires you?
For the original version including any supplementary images or video, visit http://www.thefader.com/2017/05/24/ibrahim-kamara-stylist-sampha-process-black-masculinity-interview
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