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Just ask accessories designer Gretchen Maull, who debuted her label, GG Maull, last year. She started her career as a studio assistant at Proenza Schouler in 2006, back when the luxury label was just four years old, and it's where she first realized she wanted to have her own line. Stints at brands like Missoni and Oscar de la Renta followed; she then joined the accessories design team at Calvin Klein, helping conceive a diffusion line (Calvin Klein White) from scratch, down to the hardware. After cutting her teeth on "Made In Italy" design for contemporary and luxury names, Maull wanted to get experience on a more mass brand with production based in China. It was also a label her teen self (and, likely, yours too) would appreciate: Juicy Couture. That job, coupled by a family incident that jolted Maull's career goals into perspective (more on that later) led the Bay Area native to get moving on her own brand, ASAP. Some serendipitously-salvaged leftovers from her Juicy gig were Maull's starter stock for GG Maull, an accessories line designed in NYC and produced at a factory in Italy that works with major luxury names like Dolce & Gabbana and Prada. The brand, which is currently carried at boutiques like Intermix (with some department store stockists on the horizon) has been a labor of love. Starting an accessories company from scratch means doing everything from hustling for celebrity cameos to taking an emergency trip to Italy (where she works with a team she dubs her surrogate "famiglia") when there's a hiccup in production. Ahead, Maull shows us the process of creating and cultivating a luxury handbag label from the ground up. How did your time at Proenza Schouler kick-start your career?
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A post shared by smallneeds (@smallneeds) on straw totes, ballet flats, etc.), the mesh tote has French origins. Intended for actual fisherman, it quickly became a grocery shopping standard at Parisian markets for its packable yet expandable quality. Today, we're more keen to wear it with featherweight linen dresses, earth-toned mules, and vintage sunnies. Of course, this isn't fashion's first affair with the market tote; Céline presented a runway version with their Fall 2015 collection. But if you're thirst for authenticity is real, look to Filt. The Normandy-based company was founded in 1860 by French workers who have been creating these goods ever since. Those will set you back at $18, but Amazon is where I copped mine at $8 for two bags. If and when this trend loses its trendiness, no matter: Its sensible value still exists, and then you'll own the chicest shopping tote at Trader Joe's.
For the original version including any supplementary images or video, visit http://www.elle.com/fashion/trend-reports/a45362/net-market-bag-fashion-editor-favorite/
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The cultural osmosis that plays out in Kamara’s work is shaped by his formative years. Born in Sierra Leone, he grew up in Gambia before moving to London aged 11, where he later studied at art school Central Saint Martins. Drawing on his own diasporic experience, Kamara most recently worked as costume stylist on Sampha ’s stunning short film Process , directed by Beyoncé and Kendrick Lamar collaborator Kahlil Joseph . Kamara made connections between Sampha’s life in south London and his parents’ in their hometown of Freetown, contrasting traditional Sierra Leonean ashobis and reimagined Western clothing like wedding dresses and ‘70s suits. When we spoke via phone on one of his rare afternoons off, Kamara had just got back from a job for womenswear brand Stella McCartney in Nigeria — where he and photographer Nadine Ijewere were tasked to reinterpret the Stella McCartney SS17 Collection — and was already planning his next trip to the continent for more projects this summer. In hushed tones, Kamara talked about how the DIY generation is shaking up the fashion world, and the sartorial inspiration of “new Africa.” Photos from Ibrahim Kamara's 2026 exhibition Kristin Lee Moolman What are some of the misconceptions when it comes to style and Africa? People have an idea of what visuals look like before they have seen them, based off things they’ve seen in media. It’s quite problematic because Africa has progressed so much sartorially, and what continues to be spread in the media isn’t an accurate reflection of what is going on presently. There is so much more. Your work envisions new expressions of black masculinity. What inspires you?
Last Modified: Sat, May 27 2017. 01 36 AM IST Coach Inc. came to